Barclaycard co (regular) free font download

These guidelines will help you avoid disturbing the integrity of the brandmark. The Open World symbol is part of the Barclaycard brandmark adding visual interest and creating recognition of our brand.

Open World variants The Open World symbol can be used as a graphic, in dramatic and bold crops as shown in the following pages. It adds visual interest and builds greater recognition of our brand. Our cards Our card designs are simple and always include the Open World symbol.

The Open World full colour symbol then adapts to the chosen colour. For example, a cyan Open World symbol should sit on a cyan background. This differentiates between each product and embodies the flexibility and range of our services and products. The colour variants detailed should be used for all other applications. The card designs are the only exception that allows the Open World symbol to change to unspecified colours.

Open World crops The crops shown on this page are the only permitted crops for portrait and landscape formats. It should not be used at a small size, but as a big and bold graphic with no more than one per execution. The symbol should only ever be cropped on two sides. Left and bottom or right and bottom. In portrait formats the symbol can also sit centred vertically and cropped left or right.

The top of the should never be cropped as this is the most recognisable part of the symbol. These cropping principles apply to all of the other Open World colour variants. Used consistently, our primary palette delivers strong brand recognition across all expressions and provides clear navigation through our products and services. Yellow is used as an accent colour for the Activation Mark, infographics, backgrounds, charts and tables.

Raspberry, turquoise and blackcurrant are used as an accent colour for text, backgrounds, holding shape, infographics, charts and tables.

Yellow should never be used for text. The use of white space makes our material clear and straightforward. The single, consistent use of vibrant cyan builds familiarity. Purple is used to add brightness to text and graphics. Dark purple is our neutral colour.

It is used for supporting type and body copy. Silver is used for supporting copy and black is used for single colour production. Using the primary and secondary colour palette All of our colours have been chosen for a specific role. Using them appropriately creates a strong and consistent brand across all of our communications and executions. Hero headlines are typeset in cyan or white Hero Paragraphs are set in cyan, or white when reversed out of a colour, or purple to create standout.

Headline and subheads are set in cyan, white or purple Body copy is set in Dark Purple,Silver or Black. Volo et omni amet plibusant as quis reperro bercit quiae exped ut iustrum facimo officias quamusae molut et expla qui ntibus, quibusciis asit, que estibea taturibus es ape veliquae rem quiaest lam, qui offictur.

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Simple, clean and contemporary, its consistent use unifies all of our print and online communications. Its flexibility, with a scale of expression, can be used to convey a wide range of stories from standard functional copy to more expressive variations.

It allows us to inform and inspire our audiences wherever we meet. Barclaycard Co Bold Should be used for hero headlines and to draw attention to key words and phrases. Open Sans Open Sans is only used for body copy in digital communications when it is impractical to use Barclaycard Co and should never be used for print.

Open Sans is a free font commissioned by Google, it can be downloaded at opensans. In instances where Open Sans is unavailable, Tahoma can be used as an alternative.

Headlines use Barclaycard Co Regular Type should use sentence case with no punctuation Tracking should be set to Optical at Introductory copy should use Barclaycard Co Regular Type should use sentence case with no punctuation. Tracking should be set to Optical at Leading values should be set 2pt above the type size e. Tracking should be set to Optical at 0 Leading should be set 2pt above the type size e.

Body copy uses Barclaycard Co Light to ensure legibility. Use Barclaycard Co Regular to pull out titles and quotes. Type should use sentence case with full punctuation, and full paragraph breaks. Tracking should be set to Optical at 0. Leading should be set 2pt over the type size e. Terms and Conditions use Barclaycard Co Light to ensure legibility.

Use Barclaycard Co Regular to give emphasis if needed. Type should use sentence case with full punctuation. The 6x6 grid Our 6x6 grid, is used to divide compositions horizontally and vertically. It is the distinct, consistent framework from which we create all our compositions across print, digital and large formats. It provides clarity in presenting information and prompts recognition across all our audiences.

Adding columns and rows Where possible, use 6 rows or columns e. For complex, heavy layouts the grid can be increased to 12x Removing columns and rows For tall and thin formats the grid can be optimised by removing rows and columns.

Rows and columns should be removed or added in multiples of 3. Digital formats Dimensions for digital formats vary widely. Pay attention to how formats are constructed and how they adapt. With this in mind, try to retain as many columns and rows as possible. Skyscraper and banner adverts may require coarse grids of 1x3 or 1x6.

Margins on 72ppi digital layouts should be no less than 20pt. Gutters on 72ppi digital layouts should be no less than 10pt. These values should be scaled accordingly for high-resolution output e. Quick principles Our Activation Mark has been created to draw attention to the most important pieces of information, and add a consistent design element to our communications.

The Activation Mark should be used to highlight hero headlines and draw the eye to call to actions; it is here to add warmth and pace to our communications. It should always be pointing forward, following the direction of reading from left to right.

It can be used next to hero headlines and to bring emphasis to our copy CTA. It should always be reproduced in our yellow, and should be used sparingly. We never see more than two symbols per page. The Activation Mark. Positioning There are two main ways to use our Activation Mark as part of our identity system.

The most common way is to align the mark to the cap height of the headline that it is highlighting, as illustrated top right. When used with the call to action, the mark can be bigger and take the entire height of the block of copy. When using the Activation Mark, we ask that you help us look after it by following our guidelines.

Whatever you do, never change its colour or shape and only ever use the assets we supply. When using the Activation Mark help us look after it by following Whatever you do, never change shape and only ever use the as. Here are some examples of the Activation Mark in action.

You can always know where you stand, no matter where you are. How to use the holding shape Our holding shape provides us with an easily recognisable supporting container to highlight information. Its shape with round corners and straight edges is derived from our typeface to provide a unified look and feel. It has the flexibility to fit the full range of layouts and purposes, and to contain imagery and schematic diagrams.

Both the primary and secondary palette can be applied to the holding shape, either as a solid colour or outline to provide stand out in a communication. Evenis autemodit ommo que veligenda qui ut adistrunti velendisto et volor sus autet in cum quissit ationemquis. Veniscimus essimus inulparum ipit omnita nonsed ut liquae estrum quae ium aliciis itatur.

Suntis qui doluptatem ut. Evenis autemodit ommo que genda qui ut adistrunti velendisto et volor sus. Constructing the holding shape Our holding shape has a clearly defined relationship to the layout it is used on.

The layout grid is used to define the radius the holding shapes corners , and the content clear space within the holding shape itself. Both are equivalent to half the layout gutter width, as shown on the right. For example a layout with 15pt gutters would mean a 7. This allows the holding shape to scale proportionally across different sized applications.

The line weight for the outline of the holding shape is 1. The weight scales proportionally with the grid for larger formats. The small formats of digital applications can result in small gutters and radius. A minimum radius size of 5pt should then be applied. Copy should be set in our defined type sizes see page Apply now Oluptus reium fuga. Mus doles exerion sectotat ligenis il minus eos et offic to.

Lo eatur aute volorup tinventur, quost latium sit et rerit molor simus eos ut. Excerest dolut asim rem aspero barclaycard. Images Our images should be placed within the holding shape when appearing as part of a layout. With over years of history and expertise in banking, Barclays operates in over 50 countries and employs approximately , people worldwide.

The Monotype Library Subscription is a smart new way to work with fonts. Manage your credit card account online - track account activity, make payments, transfer balances, and more. Barclays font here refers to the font used in the logo of Barclays, which is a British multinational banking and financial services company founded in To get the best out of managing your barclaycard account online, please upgrade to the latest version of Chrome Opens in a new Please note: If you want to create professional printout, you should consider a commercial font.

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